Only a handful of the network TV series debuting 50 years ago this autumn managed to survive two or more seasons.
But how many would have existed at all if they faced today’s TV/political environment?
Sure, Mary Richards’ best friend Rhoda Morgenstern achieved her own CBS spin-off. And she made Nielsen ratings history a few weeks later as she raced through the streets of New York in her wedding gown to tie the knot.
But a time-traveling TV executive from 2024 would have given us Rhoda NondescriptLastName racing through the streets of New York in her burka to … freeze her eggs (consequently spawning a grassroots “I’m cutting my rabbit ears!” movement).
Angie Dickinson shattered the glass ceiling as “Pepper” Anderson on “Police Woman,” but how could she have made ends meet while facing today’s activism? (“Undercover cop, undercover salary. We’re defunded!”)
“Chico and the Man” was a succinct title for the sitcom (starring Freddie Prinze and Jack Albertson) that lampooned both a generation gap and an ethnic gap. But even a lead-in from “Sanford and Son” wouldn’t have helped if it was saddled with a clunky title like “I’m Not A Biologist; I Don’t Know What A Chico Is Or What A Man Is.”
Clifton Davis and Theresa Merritt earned a sophomore season of the ABC sitcom “That’s My Mama.” Good thing it wasn’t “That’s My Birthing Person — Definitely Not A Trafficker Who Smuggled Me Across the Border.”
NBC graced us with two dramas that showcased TV/film veterans with stratospheric likeability factors: James Garner (“The Rockford Files”) and Michael Landon (“Little House on the Prairie”).
But nowadays, the casting quest would be for whichever has-been or never-was couldn’t land a streaming deal. Or, a star would be made expendable by a big cast. (“Let’s see if we can fit an ensemble of 12 in Rockford’s Pontiac Firebird Esprit.”)
Copyright 2024 Danny Tyree, distributed by Cagle Cartoons newspaper syndicate.